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	<title>Getbol Lab Archive</title>
	<link>https://getbollab.org</link>
	<description>Getbol Lab Archive</description>
	<pubDate>Tue, 17 Sep 2024 19:50:17 +0000</pubDate>
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		<title>Writing_YeniMa</title>
				
		<link>https://getbollab.org/Writing_YeniMa</link>

		<pubDate>Tue, 17 Sep 2024 19:25:37 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

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		<description>Title of Writing



	




마예니Yeni Ma




Ten participants, including sound artists, musicians, visual artists, filmmakers, and landscape designers, will come together under the theme of 'Into the (re)wild' to explore the sound of the ecology within Sihwa Lake. We will delve into the interplay of pollution and life, artificiality, and nature, as we investigate the re-wilding process in this part of Sihwa Lake.

 




Workshop made and guided by ︎ Unknown KimOrganisation︎ Getbol Lab, Sihwa Lake Saver, Delightfull
	Location ︎ Online, and at Daesong Wetland (within Sihwa Lake) in Daebu-Do, Ansan-si, Gyeonggi-Do, South KoreaTime ︎ 2023.07.21 (online), 2023.07.23 14:00-18:00 (offline at Sihwa Lake)




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The Sihwa Lake is an artificial reservoir completed in 1994, to supply fresh water to the surrounding farmlands and industrial areas. However, after its completion, the water quality rapidly deteriorated due to the inflow of domestic sewage from the nearby expanding city and industrial facilities. Despite its name, which translates to '(si)finally-(hwa)bright lake,' it gained the unfortunate reputation of being known as the 'Lake of Death.'

In 2000, the government abandoned the idea of maintaining Sihwa Lake as a reservoir and instead opted to discharge polluted water into the ocean. Simultaneously, they established a tidal power plant that utilises the tidal difference to generate hydroelectric power. Over the past two decades, the ecosystem of Sihwa Lake has adapted to this artificial ebb and flow rhythm.

This time, the Acoustic Territories field trip takes place at the Dae-song Wetland, which provides the opportunity to observe the ecosystem within the tidal area of the artificial Sihwa Lake. This area is currently off-limits to the public and serves as a habitat for migratory birds and terrestrial wildlife. Unlike the polluted waters of Sihwa Lake, this wetland has quickly recovered its vitality.

Ten participants, including sound artists, musicians, visual artists, filmmakers, and landscape designers, will come together under the theme of 'Into the (re)wild' to explore the sound of the ecology within Sihwa Lake. We will delve into the interplay of pollution and life, artificiality, and nature, as we investigate the re-wilding process in this part of Sihwa Lake.




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	<item>
		<title>Writing_UnknownKim</title>
				
		<link>https://getbollab.org/Writing_UnknownKim</link>

		<pubDate>Tue, 17 Sep 2024 19:50:17 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Writing_UnknownKim</guid>

		<description>Title of Writing



	




Unknown Kim




Ten participants, including sound artists, musicians, visual artists, filmmakers, and landscape designers, will come together under the theme of 'Into the (re)wild' to explore the sound of the ecology within Sihwa Lake. We will delve into the interplay of pollution and life, artificiality, and nature, as we investigate the re-wilding process in this part of Sihwa Lake.

 




Workshop made and guided by ︎ Unknown KimOrganisation︎ Getbol Lab, Sihwa Lake Saver, Delightfull
	Location ︎ Online, and at Daesong Wetland (within Sihwa Lake) in Daebu-Do, Ansan-si, Gyeonggi-Do, South KoreaTime ︎ 2023.07.21 (online), 2023.07.23 14:00-18:00 (offline at Sihwa Lake)




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The Sihwa Lake is an artificial reservoir completed in 1994, to supply fresh water to the surrounding farmlands and industrial areas. However, after its completion, the water quality rapidly deteriorated due to the inflow of domestic sewage from the nearby expanding city and industrial facilities. Despite its name, which translates to '(si)finally-(hwa)bright lake,' it gained the unfortunate reputation of being known as the 'Lake of Death.'

In 2000, the government abandoned the idea of maintaining Sihwa Lake as a reservoir and instead opted to discharge polluted water into the ocean. Simultaneously, they established a tidal power plant that utilises the tidal difference to generate hydroelectric power. Over the past two decades, the ecosystem of Sihwa Lake has adapted to this artificial ebb and flow rhythm.

This time, the Acoustic Territories field trip takes place at the Dae-song Wetland, which provides the opportunity to observe the ecosystem within the tidal area of the artificial Sihwa Lake. This area is currently off-limits to the public and serves as a habitat for migratory birds and terrestrial wildlife. Unlike the polluted waters of Sihwa Lake, this wetland has quickly recovered its vitality.

Ten participants, including sound artists, musicians, visual artists, filmmakers, and landscape designers, will come together under the theme of 'Into the (re)wild' to explore the sound of the ecology within Sihwa Lake. We will delve into the interplay of pollution and life, artificiality, and nature, as we investigate the re-wilding process in this part of Sihwa Lake.




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	<item>
		<title>About us-article 1</title>
				
		<link>https://getbollab.org/About-us-article-1</link>

		<pubDate>Tue, 31 Oct 2023 20:03:13 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/About-us-article-1</guid>

		<description>Interdisciplinary Research Collective






	




Getbol Lab is an interdisciplinary research collective comprised of media artist Sunjoo Lee, sound artist Unknown Kim, curator/art historian Keumhwa Kim, landscape historian Jung-Hwa Kim, and curator/researcher Yeni Ma.

Although often assessed solely for their potential as landfills, the Korean tidal flats, referred to as Getbol, gained global recognition when South Korea successfully designated its extensive tidal plains as a UNESCO World Heritage Site in 2021. Beyond serving as mere landfills, these wetlands function as rich reservoirs of biodiversity and highly effective carbon sequestrators. This realization has prompted us to delve into the intricate relationship between Getbol, humans, and more-than-human, exploring it from various interdisciplinary perspectives.

The collective, active since 2023, is on a captivating journey to explore the world of tidal flats and wetlands as hybrid spaces bridging land and sea. Getbol Lab's primary objective is to investigate the wetland as a metaphor for resilience and constant change in both topography and ecosystem. This exploration will be multidisciplinary, drawing on perspectives from anthropology, technology, oceanology, and post-human critical theory.
 



	

Getbol Lab organizes multidisciplinary seminars, workshops, and site-specific residency programs, fostering collaborations with artists, researchers, and curators not only in South Korea but also globally. This establishes an international network of wetlands from an artistic point of view.
Currently, the collective is engaged in the thought-provoking project "10000 Arts 10000 Acts: ?The Next!" supporting art projects depicting the future of the city through artistic imagination. The focus is on SGD's three keywords: "Climate Crisis and Response," "Sustainable Community," and "Urban Infrastructure."
Getbol Lab invites you to join us in unraveling the magic and dynamism inherent in these ecosystems, such as unpredictability, disorder, anymacy, complexity, hybridity, and resilience.






Participating Members
	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/b2d601a012151c202a02869ace4ffcb91a391d2f5b782a3a52d350f5fcccb68a/profile-small-junghwa.png" data-mid="196302968" border="0"  src="https://freight.cargo.site/w/936/i/b2d601a012151c202a02869ace4ffcb91a391d2f5b782a3a52d350f5fcccb68a/profile-small-junghwa.png" /&#62;
Jung-Hwa KimAssistant professor at the UNLV School of Architecture and a landscape historian with a focus on nineteenth- and twentieth-century garden art and open spaces.
Read more︎



	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/514f06e03253a761525762d3ca6f49d8011e1a294adacdd8f318ff6a4b9c5f24/profile-small-keumhwa.png" data-mid="196303186" border="0"  src="https://freight.cargo.site/w/936/i/514f06e03253a761525762d3ca6f49d8011e1a294adacdd8f318ff6a4b9c5f24/profile-small-keumhwa.png" /&#62;Keumhwa Kim
Art historian and independent curator based in Berlin with curatorial focus on the conditions of a (post-)anthropocene world and postcolonial awakening.

Read more︎

	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/5ea3474263206074b07f7d33214546c94543b7895055c210fa8edbac28dddd1f/profile-small-sunjoo.png" data-mid="196303190" border="0"  src="https://freight.cargo.site/w/936/i/5ea3474263206074b07f7d33214546c94543b7895055c210fa8edbac28dddd1f/profile-small-sunjoo.png" /&#62;Sunjoo Lee

Media artist based in the Netherlands and South Korea. Her fascination is in diverging the use of human tools beyond human interest with the help of other species.
Read more︎

	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/d1379f16e1c553350fe36831e68a28da74336b01e07071aeab4205da4c62aec9/profile-small-minji2.png" data-mid="196303473" border="0"  src="https://freight.cargo.site/w/936/i/d1379f16e1c553350fe36831e68a28da74336b01e07071aeab4205da4c62aec9/profile-small-minji2.png" /&#62;Unknown Kim

Researcher and sound artist based in The Hague and Seoul. Her work focuses on sound revealed via communication between environments and humans.
Read more︎

	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/0378c85d70303c0c0b175f470056a3e1f5973a61a857b4304ff24ecb40572d5b/profile-small-YeniMa.png" data-mid="199376544" border="0"  src="https://freight.cargo.site/w/936/i/0378c85d70303c0c0b175f470056a3e1f5973a61a857b4304ff24ecb40572d5b/profile-small-YeniMa.png" /&#62;
Yeni Ma
Curator and researcher based in Berlin, has been exploring methods for presenting and preserving the intangibility and ephemerality of transformative and vanishing artworks.
Read more︎





Supported by
1000 Arts 1000 Acts by Delightfull
Arts Council Korea
Gyeonggi Creation Centre
Sihwa Lake Saver 
Stimuleringsfonds Creatieve Industrie
</description>
		
	</item>
		
		
	<item>
		<title>About us article 1 KR</title>
				
		<link>https://getbollab.org/About-us-article-1-KR</link>

		<pubDate>Tue, 12 Dec 2023 09:16:44 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/About-us-article-1-KR</guid>

		<description>다학제
연구 콜렉티브








“습지 생태에 내재된 예측불가능성, 무질서, 혼성성, 복원력 그리고 역동성을 탐구하는 갯벌랩의 여정에 당신을 초대합니다.”





	

갯벌, 가장자리에서 관문으로:
 
대한민국의 서해안 습지를 이루는 갯벌은 우리에게 친숙한 공간이지만, 한편 그 가치를 제대로 평가받지 못했다. 수많은 생물종이 공존하며 살아가는 생물다양성의 보고로서, 갯벌에는 약 1000여 종의 생물종이 살고 있는 것으로 알려졌으나, 지금껏 우리는 차단과 간척과 같은 인프라 이데올로기 속에서 갯벌을 '쓸모없는 땅'으로 인식하였다. 과한 간척으로 인한 갯벌의 소멸은 기후위기에 직면한 현재 티핑 포인트를 만들며 생태계의 붕괴를 보여주는 창과 같다.

그러나 최근 갯벌의 생태적 가치가 재조명되고 있다. 2021년, 한국의 서천, 고창, 신안, 보성-순천 갯벌이 유네스코 세계유산으로 등재되었고, 2022년부터 해양수산부는 갯벌 식생 복원사업을 대대적으로 추진하고 있다. 현재 갯벌이 기후변화에 관한 정부간 협의체(IPCC)에서 규정하는 해양 탄소흡수원 ‘블루카본’으로 지정될 수 있도록 연구 중인 서울대 지구환경과학부의 조사에 따르면, 국내 갯벌은 약 1300만t의 탄소를 저장하고 있으며, 연간 최소 26만t에서 최대 49만t(연간 최대 자동차 20만대 분량)의 이산화탄소를 흡수할 수 있다. 이제 갯벌을 가장자리 공간(marginal area)이 아니라, (포스트)인류세 시대 대안적인 환경을 모색하기 위한 관문(gateway)이자 가꾸어야 할 정원으로 인식할 때다.

갯벌 생태계는 창작자가 기후위기와 생태계 변화에 대응하는 방식을 고민하는 데 영감의 원천이 될 수 있다. 본래 '넓은 들'을 뜻하는 순우리말인 갯벌은 바다와 육지 사이의 너른 하이브리드(hybrid) 공간이자, 물이 차거나 빠질 때마다 끊임없는 지형과 생태계의 변화가 일어나는 탄력성(resilience)과 생물다양성의 장이다. 우리는 갯벌이라는 세계에 접근하는 열쇠로 '관계성'에 주목하였다. 다학제 연구와 예술가로서의 연구가 필요한 이유도 여기에 있다. 갯벌 생태계의 얽히고 섥힌 관계를 관찰하고 기록하며 창의적 미래 시나리오를 만드는 데 다양한 관점이 주요하게 작용할 것이다.



	

갯벌랩의 프로그램:
갯벌랩은 미디어 아티스트 이선주, 사운드 아티스트 김익명, 큐레이터/미술사학자 김금화, 조경사학자/이론가 김정화, 큐레이터/연구자 마예니로 구성된 다학제 연구 콜렉티브이다. 2023년 초에 결성되어 1년간 활동하였고 2024년 프로그램을 구상중이다.


갯벌랩은 한국의 갯벌과 그 외 다양한 습지환경에 주목하며 갯벌을 예술, 기술, 인문, 건축, 생태, 도시/조경 등의 다학제적 관점에서 연구 프로젝트를 기획하고 진행해 나간다. 갯벌랩의 주요 목표는 습지를 연구의 대상으로 삼는 동시에, 습지가 가진 하이브리드성, 탄력성과 역동성을 지침삼아 연구와 창작의 방식을 기획하고 실천해나가는 것이다.

갯벌랩은 다학제 세미나, 워크샵 및 현장 연구 레지던시 프로그램을 기획하여 한국뿐만 아니라 세계적으로 예술가, 연구자 및 큐레이터간의 협력을 촉진하고 있다. 이를 통해 예술적 관점에서 시작하여 확장된 습지에 대한 국제적 네트워크를 구축한다. 세미나에서 습지를 이야기하는 다양한 관점의 담론을 제시하고 확장하는 동시에, 갯벌이 살아 숨쉬는 현장을 직접 관찰하고, 갯벌에서 실험과 창작을 할 수 있도록 현장 연구 레지던시를 진행하여 이론과 실천의 조합을 꾀한다. 워크숍은 갯벌에서 진행되는 창작과 지식생산의 과정을 지역사회와 공유하거나, 현장에 대한 지식이 풍부한 전문가를 초청하여 함께 특정 지역을 방문하는 방식으로 진행된다.

현재, 콜렉티브는 예술적 상상력으로 도시의 미래를 그리는 예술 프로젝트 "10000 Arts 10000 Acts: ? The Next!"에 참여하고 있다. 이 프로젝트는 SGD의 세 가지 키워드인 "기후 위기와 대응", "지속 가능한 공동체", "도시 기반 시설"에 초점을 맞춘다.










갯벌랩
멤버 소개
	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/b2d601a012151c202a02869ace4ffcb91a391d2f5b782a3a52d350f5fcccb68a/profile-small-junghwa.png" data-mid="199188909" border="0"  src="https://freight.cargo.site/w/936/i/b2d601a012151c202a02869ace4ffcb91a391d2f5b782a3a52d350f5fcccb68a/profile-small-junghwa.png" /&#62;김정화

김정화는 조경 이론 및 역사가이자 미국 네바다주립대학교 라스베이거스 건축대학 조교수이다. 인류세 관점에서 근대기에 발명된 풍경을 재고하고, 19~20세기 정원과 공원을 중심으로 식물, 아이디어, 제도, 기술의 국제적 교류를 연구한다.



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	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/514f06e03253a761525762d3ca6f49d8011e1a294adacdd8f318ff6a4b9c5f24/profile-small-keumhwa.png" data-mid="199188910" border="0"  src="https://freight.cargo.site/w/936/i/514f06e03253a761525762d3ca6f49d8011e1a294adacdd8f318ff6a4b9c5f24/profile-small-keumhwa.png" /&#62;
김금화



김금화는 미술사학자이자 큐레이터로 현재 베를린을 기반으로 활동하고 있다. 

(포스트)인류세적 조건과 탈식민지적 담론을 중심으로 인간과 (비)인간의 공생 관계, 퍼포먼스적 실천을 통한 예술의 확장성에 대한 연구를 하고 있다.






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	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/5ea3474263206074b07f7d33214546c94543b7895055c210fa8edbac28dddd1f/profile-small-sunjoo.png" data-mid="199188911" border="0"  src="https://freight.cargo.site/w/936/i/5ea3474263206074b07f7d33214546c94543b7895055c210fa8edbac28dddd1f/profile-small-sunjoo.png" /&#62;이선주



이선주는 네덜란드와 한국을 오가며 활동하고 있는 미디어 아티스트이다. 다양한 생물종이 사용할 수 있는 기술, 자연을 닮은 기술, 기술을 통한 미래의 공생을 예술가의 시선으로 탐구한다.


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	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/d1379f16e1c553350fe36831e68a28da74336b01e07071aeab4205da4c62aec9/profile-small-minji2.png" data-mid="199188916" border="0"  src="https://freight.cargo.site/w/936/i/d1379f16e1c553350fe36831e68a28da74336b01e07071aeab4205da4c62aec9/profile-small-minji2.png" /&#62;김익명



김익명은 라이덴 대학과 서울을 기반으로 하는 연구원 및 사운드 아티스트이다. 환경과 인간 간의 소통을 통해 드러나는 소리 및 음악에 중점을 두며 Psycho-Geography의 소리를 탐험한다.

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	&#60;img width="936" height="666" width_o="936" height_o="666" data-src="https://freight.cargo.site/t/original/i/67cdef9d49a841bbf087c6eeea9913d648beab6987feb7d3b6d9a63ae70d57ee/profile-small-YeniMa.png" data-mid="199376633" border="0"  src="https://freight.cargo.site/w/936/i/67cdef9d49a841bbf087c6eeea9913d648beab6987feb7d3b6d9a63ae70d57ee/profile-small-YeniMa.png" /&#62;마예니



마예니는 베를린을 중심으로 활동하는 큐레이터이자 연구자로, 퍼포먼스 및 시간 기반 작품 등 변화하고 사라지는 예술 작품의 무형성과 일시성에 관심을 갖고 그것의 전시 및 보존 방식을 연구해오고 있다. 






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협력/후원 기관
만아츠 만액츠(유쾌한)
한국문화예술위원회
경기창작센터
시화호생명지킴이 
스티뮬러링 크리에이티브 인더스트리 펀드
</description>
		
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	<item>
		<title>Seminar 1</title>
				
		<link>https://getbollab.org/Seminar-1</link>

		<pubDate>Tue, 31 Oct 2023 20:03:16 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

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		<description>Seminar #1



	




갯벌:
 가장자리에서 관문으로Getbol: From Marginal Area to Gateway












Co-organized by curator Keumhwa Kim and landscape historian Jung-Hwa Kim, the Getbol Lab seminar gathers a diverse group of speakers, including anthropologists, biologists, environmental activists, architects, and urban planners. Gebol Lab facilitates multidisciplinary discussions, exploring the symbiotic relationship between humans and non-humans, urban and fishing villages, and the delicate balance between the oceans and the land.

Jun Kim (Professor of Academic Research at Chonnam National University)︎
“The Humanistic Value of Tidal Flats and the Sustainability of Fishing Villages”
Koo Bon Joo (Senior researcher at the Korea Institute of Ocean Science and Technology)
︎
“A Fresh Look at Tidal Flats through Darwin's Last Idea”



Park Sun Mi (Representative of Sihwa Lake Saver)
︎ “Habitat Conservation and Biodiversity”

Yoo Young Soo (Professor at Department of Urban Architecture at Incheon National University)
︎ “Getbol,the land of humans or the land of the sea?”
	Location ︎ Seoul Sungdong Social Hub Centre
Time ︎ 2023.07.21 / 14:00-17:30 KST
Language ︎ Korean
Curation ︎ Keumhwa Kim, Jung-Hwa Kim
Organisation ︎ Getbol Lab, Delightfull










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For too long, Getbol has been labeled as “useless lands,” suffering from infrastructure-driven and land reclamation projects that have cost Korea nearly half of its tidal flats in the past century. However, given the current challenges of climate change and the recognition of Korean tidal flats as a World Heritage Site, it is crucial to reevaluate our human-centric view of Getbol. Getbol Lab sees Korean tidal flats as a vital intermediary zone connecting human and non-human life, showcasing a complex space with a complex ecosystem and the coexistence of diverse organisms. Simultaneously, we embark on a journey of critical reflection, questioning our constructivist approach to nature and embracing the concept of "un-making" design—an adaptable methodology.

The Humanistic Value of Tidal Flats and the Sustainability of Fishing Villages (by Jun Kim, Academic Research Professor, Chonnam National University)

Jun Kim presents "The Humanistic Value of Tidal Flats and the Sustainability of Fishing Villages," providing a sociologist's perspective. He explores the significance and intrinsic worth of tidal flats within Korea's distinctive fishing communities. 


A Fresh Look at Tidal Flats through Darwin’s Last Idea (by Bon Joo Koo, Senior Researcher, Korea Institute of Ocean Science and Technology)

Bon Joo Koo presents an intriguing topic, "A Fresh Look at Tidal Flats through Darwin's Last Idea." Applying Charles Darwin's last idea that earthworms, constantly mixing the soil on the Earth's surface, impact the Earth's ecosystem, he explores the various traces created by intertidal organisms and the vast hidden spaces within sediment. 






	





Habitat Conservation and Biodiversity (Sun-mee Park, CEO, Shihwa Lake Saver)

Sun-mee Park shares recent discussions concerning the ecological value of tidal flats and highlights the various activities conducted by civil society, with a particular focus on Lake Shihwa. 

Tidal Flats, Man’s Land or the Land of the Sea? (Youngsoo You, Assistant Professor, Division of Architecture and Urban Design, Incheon National University)

Youngsoo You delivers a presentation encompassing an examination of Incheon City's urban planning directions and projects related to tidal flats. Additionally, she explores innovative approaches to tidal flat landscapes in the realms of urban design, architecture, and landscape architecture.




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	</item>
		
		
	<item>
		<title>Seminar 2</title>
				
		<link>https://getbollab.org/Seminar-2</link>

		<pubDate>Tue, 31 Oct 2023 20:03:17 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Seminar-2</guid>

		<description>Seminar #2





	




조류적 풍경Tidalectic Landscape





This seminar fosters artistic exchange on tidal landscapes (Getbol, Wadden Sea, Peatlands, Mangrove Forest, Dune) with global artists and a landscape historian. It explores wetlands for their poetic, social, and ecological potential, emphasizing resilience and change. Investigation spans feminism, queer studies, anthropology, oceanology, and posthuman critical theory, viewing wetlands as hybrid spaces where human/non-human, urban/fishing villages, and ocean/land perspectives intersect.


Jeewi Lee︎
Tides
Sujatro Ghosh ︎ To Where the River Flows
Juliane Tübke &#38;amp; Alison Darby︎ Deep in the Meadow
Erin Putalik ︎ Enduring Stories on Changeable Ground: Dunes as
Cultural Landscapes
	

Location ︎ OnlineTime ︎ 2023.09.21 / 14:00 - 16:30 CET
Language ︎ English

Curation ︎ Keumhwa Kim, Jung-Hwa Kim
Organisation ︎ Getbol Lab, Delightfull




  


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This seminar aims to foster an exchange of artistic perspectives on diverse landscapes shaped by tidal movements, including Getbol (Korean tidal flats), Wadden Sea, Swamps, Mangrove Forest, and Dune. With the active participation of international artists and a landscape historian, the seminar delves into the wetland environment, seeking to unravel its poetic, social, and ecological potential. Central to this seminar is the exploration of the unique ecosystem of wetlands as a metaphor for resilience and perpetual change. The intention is to investigate and delve into this subject through a multidisciplinary lens and from various perspectives such as feminism, queer studies, anthropology, oceanology, and posthuman critical theory. Moreover, it regards wetlands as hybrid spaces where the viewpoints of humans/non-humans, urban/fishing villages, and the oceans/the land coalesce and intersect.

Tides (by Jeewi Lee)

Jeewi Lee introduces two of her works: Plate and Einschnitt. In Plate, she presents an ephemeral, land art-inspired installation at the former 2nd harbor entrance, where water, tidal flats, and clouds play the main role. With a minimalist and temporary intervention in nature, the artist crafts a circular form that exists for just one tidal cycle. The impact of the work - as a hole, mirror or window to the sky - is essentially shaped by wind, weather, and sunlight. Einschnitt is a series of single-channel videos showcasing the performative division of a homogeneous surface. Filmed from a considerable height, the viewer recognizes an individual pulling a human load—physically heavy and slow. Both figures leave a visible trace on the landscape, cleaving the previously uniform surface into two unequal parts: above and below, left and right, north and south. 





	







To Where the River Flows (by Sujatro Ghosh)

Sujatro Ghosh introduces his documentation project on Ghoramara Island, located in the Sundarbans delta region of West Bengal. The island is rapidly eroding due to a combination of factors, including rising sea levels and increased cyclonic activity. Ghosh’s project underscores the urgent need for mitigation and adaptation strategies to protect vulnerable communities and ecosystems against rising sea levels and other environmental changes. 

Deep in the Meadow (by Juliane Tübke &#38;amp; Alison Darby)

In the exhibition project, Deep in the Meadow, Juliane Tübke and Alison Darby explore innovative ways to raise awareness about the significance of peatland landscapes. Despite storing more carbon dioxide than any other ecosystem globally, approximately 97.5% of peat soils in Germany are drained for agriculture and forestry. For instance, the peatlands in Greifswald, northeastern Germany, urgently require rewetting. Tübke delves into the history of Greifswald’s Moorlands and experiments with new documentation methods, while Darby focuses on wetland farming and the generation of new materials through paludiculture. 

Enduring Stories on Changeable Ground: Dunes as Cultural Landscapes (by Erin Putalik)

Examining coastal dune parks individually and collectively, Dr. Erin Putalik explores how the intrinsic morphological dynamism of Indiana Dunes National Park and Sleeping Bear Dunes National Lakeshore has been reimagined as a source of stable and enduring ideas on interpretation, conservation, and valuation. These two sites encapsulate ecologically critical dune areas, active sand mines, and cherished public lakeshore places along the eastern edge of Lake Michigan amidst ongoing private development of the shore.


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	<item>
		<title>Seminar 1 KR</title>
				
		<link>https://getbollab.org/Seminar-1-KR</link>

		<pubDate>Mon, 11 Dec 2023 14:53:23 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Seminar-1-KR</guid>

		<description>Seminar #1



	




갯벌:
 가장자리에서 관문으로Getbol: From Marginal Area to Gateway








큐레이터 김금화(베를린 소재)와 김정화(라스베가스 소재) 교수가 공동 기획한 겟벌랩의 세미나는 인류학자, 생물학자, 환경운동가, 건축가, 도시계획가 등 다양한 강연자들을 한자리에 초대합니다. 다학제적 논의를 통해 인간과 비인간, 도시와 어촌, 바다와 육지의 섬세한 균형을 탐구합니다.




김 준 (전남대학교 학술연구교수)&#38;nbsp; &#38;nbsp; ︎ 갯벌의 인문학적 가치와 어촌의 지속

구본주 (한국해양과학기술원 책임연구원)&#38;nbsp; &#38;nbsp; ︎ 다윈의 마지막 아이디어로 들여다 본 갯벌

박선미 (시화호생명지킴이 대표)&#38;nbsp; &#38;nbsp; ︎ 서식지 보전과 생물다양성

유영수(인천대학교 도시건축학부 교수) &#38;nbsp; &#38;nbsp; ︎ 갯벌, 사람의 땅일까 바다의 땅일까?
	장소 ︎ 서울 성동 소셜벤처허브센터 8층 교육장
시간 ︎ 2023.07.21 / 14:00-17:30 KST
언어 ︎ 한국어
큐레이션 ︎ 김금화, 김정화
주관 ︎ 갯벌랩, 유쾌한




  


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갯벌은 한동안 인프라 이데올로기와 함께 ‘쓸모없는 땅’으로 여겨져, 그 결과 지난 세기 동안 한국 갯벌의 절반 가량이 간척으로 사라졌다. 그러나 오늘날 기후변화와 한국 갯벌의 세계유산 지정은 갯벌에 대한 이러한 인간 중심적 사고를 교정하길 요청하고 있다. 이제 갯벌을 인간과 비인간(More-than-Human)을 연결하는 중간 지대로, 어촌 공동체의 문화적 뿌리로, 생태계의 역동성과 수많은 생물체의 공존을 이해하는 현장으로 재발견 할 때다. 이와 함께 자연에 대한 건설(making)지상주의를 반성하고, 복합적이며 유연한 접근법인 해체(un-making)적 디자인을 논의 할 시점이다.&#38;nbsp;

이러한 논의를 위해 갯벌랩의 김금화 큐레이터와 김정화 교수가 공동으로 기획한 본 세미나는 국내외 생태학자, 인문학자, 건축가, 예술가, 큐레이터와 함께 인간과 비인간, 도시와 어촌, 해양과 육지의 공생적 관계에 대한 다학제적 고찰을 시도하며 갯벌을 대하는 대안적 패러다임을 모색하였다.


 




	





 김준 전남대학교 교수는 &#38;nbsp;"갯벌의 인문학적 가치와 어촌의 지속"이라는 주제로, 사회학자의 시각에서 한국의 고유한 어촌 공동체에서 갯벌이 가지는 의미와 가치에 대해 이야기 나눴다. 한국해양과학기술원 책임연구원 구본주는 찰스 다윈의 마지막 아이디어인 "지구 표면의 흙을 끊임없이 혼합하는 지렁이가 지구 생태계에 중요한 영향을 미칠 수 있다"는 개념을 갯벌 생태계에 적용하여, 갯벌 생물이 만든 다양한 흔적과 눈에 보이지 않지만 흙 속에 숨어 있는 거대한 공간에 대해 살펴보았다. 시화호생명지킴이 대표 박선미는 “서식지 보전과 생물다양성"을 주제로, 시화호를 중심으로 갯벌의 생태적 가치에 대한 최근 논의와 시민사회의 활동 내용을 공유하며, 갯벌 생태계의 작동 방식과 다양성에 대해 발표했다. 유영수 인천대학교 도시건축학부 교수는 &#38;nbsp;"갯벌, 사람의 땅일까 바다의 땅일까?"라는 주제로,&#38;nbsp; 인천시의 갯벌 관련 도시계획 방향과 사업을 검토하고, 최근 서해안 섬 마스터플랜 프로젝트를 중심으로 갯벌 경관에 대한 도시, 건축, 조경 분야의 새로운 접근법을 논의했다.
 




</description>
		
	</item>
		
		
	<item>
		<title>Seminar 2 KR</title>
				
		<link>https://getbollab.org/Seminar-2-KR</link>

		<pubDate>Mon, 11 Dec 2023 14:53:27 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Seminar-2-KR</guid>

		<description>Seminar #2





	




조류적 풍경Tidalectic Landscape




갯벌랩의 두 번째 세미나 &#38;lt;조류적 풍경&#38;gt;은 갯벌을 포함해 조수 간만이 만들어내는 다양한 습지의 풍경에 대한 예술적 관점이 교차하는 자리를 만들고자 했다. 한국의 갯벌, 독일, 덴마크, 네덜란드를 잇는 바덴해, 독일 그라이프스발트 이탄지, 인도 순다르반 맹그로브 숲, 미국 인디아나주의 사구 등 세계 여러 습지와 관련된 연구를 진행해오고 있는 작가들과 조경 역사학자가 본 세미나를 통해 이 독특한 생태계에 대한 대안적 관점들을 제시했다. 



 









	지비 리 ︎
밀물과 썰물수자트로 고쉬 ︎ 강이 흐르는 곳으로

율리아네 튀브케, 앨리슨 다비 ︎ 초원의 깊은 곳

에린 푸탈릭 ︎ 변화하는 땅에 대한 지속적인 이야기: 문화 경관으로서의 모래 언덕
	

장소 ︎ 온라인시간 ︎ 2023.09.21 / 14:00 - 16:30 CET
언어 ︎ 영어

큐레이션 ︎ 김금화, 김정화주관 ︎ 갯벌랩, 유쾌한




  


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갯벌랩의 두 번째 세미나 &#38;lt;조류적 풍경&#38;gt;은 갯벌을 포함해 조수 간만이 만들어내는 다양한 습지의 풍경에 대한 예술적 관점이 교차하는 자리를 만들고자 했다. 한국의 갯벌, 독일, 덴마크, 네덜란드를 잇는 바덴해, 독일 습지 그라이프스발트, 인도 순다르반 맹그로브 숲, 미국 인디아나주의 사구 등 세계 여러 습지와 관련된 연구를 진행해오고 있는 작가들과 조경 역사학자가 본 세미나를 통해 이 독특한 생태계에 대한 대안적 관점들을 제시했다. 인간과 비인간, 도시와 어촌, 바다와 땅의 공생과 충돌로 이루어진 혼종적 공간, 습지에 대한 다학제적 논의의 장으로서 역할했다.

	

세미나에서 아티스트 지비 리(Jeewi Lee)는 밀물과 썰물의 간극에 발생하는 지리적 특성을 이용하여 만든 장소특정적 작품 &#38;lt;플레이트(Plate)&#38;gt;와 단채널 비디오 작품 &#38;lt;절개(Einschnitt, Incision [eng])&#38;gt;를 소개하였다. 인도 출신의 작가이자 운동가 수자트로 고쉬(Sujatro Ghosh)는 해수면 상승, 조류로 인한 퇴적물의 감소, 사이클론 발생 빈도의 증가 등 여러 원인으로 인해 빠르게 침식되어 가고 있는 인도 순다르반(Sundarbans) 지역의 고라마라(Ghoramara) 섬에 대한 자신의 리서치에 대해 이야기 나눴다. 작가 율리아네 튀브케와 앨리슨 다비(Juliane Tübke &#38;amp; Alison Darby)는 독일 북동부 지역 그라이프스발트를 중심으로 이탄지대와 재습화의 중요성에 대한 인식을 키우기 위한 협업 전시 프로젝트 &#38;lt;Deep in the Meadow&#38;gt; 를 소개했다. 마지막으로 미국 버지니아대학교 조경 및 건축 조교수 에린 푸탈릭(Erin Putalik)은 인디애나 듄스 국립공원과 같은 해안 사구 경관 고유의 형태적 역동성, 근본적인 변화 가능성을 해석하고 보존하며 가치를 인정하는, 안정적이며 지속적인 방식에 대해 논의했다. 



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	<item>
		<title>Residency 1</title>
				
		<link>https://getbollab.org/Residency-1</link>

		<pubDate>Tue, 31 Oct 2023 20:03:24 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Residency-1</guid>

		<description>Residency 2023



	




대부도 &#38;amp; 시화호 4주 작가 레지던시4-week artist residency at Daebu-Do &#38;amp; Sihwa Lake



Getbol Residency took place for a month under Sunjoo Lee and Unknown Kim in Dae-bu Island and Sihwa Lake area. Two artists, residing close to mudflats, explored the direct and indirect relationships between humans and non-humans, the degree of entanglement, and the situatedness of mudflats. From measuring and observing to staring and insight. Methods used by the two artists were diverse, but they both reflected a reaction to a question, 'How can we coexist positively with non-humans?' 



Participants ︎ Unknown Kim(Sond Artist), Sunjoo Lee(Media Artist)Organisation︎ Getbol Lab, Delightfull




	Location ︎ Daebudo &#38;amp; Sihwa Lake, Ansan-si, Gyeonggi-Do, South KoreaTime ︎ 2023.07.01 - 2023.07.28





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Sunjoo Lee and Unknown Kim resided in the Daebudo and Sihwa Lake areas in July, immersing themselves in the surrounding mudflats, from data to empirical knowledge, affection, and imagination. 

Sunjoo Lee took daily strolls around the mud flats, fostering a connection with the creatures inhabiting the tidal ecosystem, with a particular fascination for crabs. By exploring the diverse crab mud-built houses, and observing their walking methods, speed, and reactions to elements such as wind, waves, and sunlight. One of her work &#38;lt;The Mudwalker&#38;gt; was motivated by the curiosity about how artificial entities could harmonize with the changing wetland environment, and the organic and sensitive creatures, especially the crabs. Using materials found in the mudflats, particularly branches, and combining them with electronic circuits.This incomplete robot underwent iterations and adaptations to acclimate itself to the mudflat environment. Also, she installed small structures on the mudflats and set up a camera to observe the mudflats' day-night tidal rhythms.

Unknown Kim focused her exploration on Daebudo in the Sihwaho area to investigate acoustic communication between artificial infra and ecology. Despite feeling somewhat intimidated by the sci-fi-like environment of Sihwa Lake, where large-scale structures exist within nature. It also exuded a captivating but ambiguous impression. This ambiguity created confusion in her contextualization as a 'human,' prompting her to ponder how to situate this place amid various perspectives such as non-human, human, ecology, and urban within the dynamic history of reclamation.&#38;lt;Into the (re)wild&#38;gt; is an audio map that explores the sound in the ecological environment between artificial and natural elements in the Daebudo area.


</description>
		
	</item>
		
		
	<item>
		<title>Residency 1 KR</title>
				
		<link>https://getbollab.org/Residency-1-KR</link>

		<pubDate>Mon, 11 Dec 2023 17:42:17 +0000</pubDate>

		<dc:creator>Getbol Lab Archive</dc:creator>

		<guid isPermaLink="true">https://getbollab.org/Residency-1-KR</guid>

		<description>Residency 2023



	




대부도 &#38;amp; 시화호 작가 레지던시Artist residency at Daebu-Do &#38;amp; Sihwa Lake





갯벌 레지던시는 이선주와 김익명 작가의 주도 하에 대부도 및 시화호 지역에서 한 달 동안 진행되었다. 갯벌에 가까이에 거주한 두 예술가는 인간과 비인간 간의 간접적인 관계성, 얽힘의 정도 및 갯벌의 생태적 상황을 탐구했다. 측정과 관찰에서 시작하여 응시와 통찰로 이어지는 두 예술가의 탐구 방식은 다양했지만, 모두 '우리는 어떻게 비인간과 긍정적으로 공존할 수 있을까?'라는 질문에 대한 반응을 반영했다.

참여 아티스트 &#38;nbsp; &#38;nbsp; 
︎ 김익명(사운드 아티스트), 이선주(미디어 아티스트)주최 ︎ 갯벌랩
주관 
︎ 갯벌랩, 유쾌한
	레지던시 지역 ︎ 대부도, 시화호기간 ︎ 2023.07.01 - 2023.07.28 (약 4주)




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	&#60;img width="1209" height="1702" width_o="1209" height_o="1702" data-src="https://freight.cargo.site/t/original/i/a86d59b1df53ee5e1457af218c965a8a61f97bb43f7e03fa2a3d4d9ea0146a5f/Main.jpg" data-mid="199128518" border="0"  src="https://freight.cargo.site/w/1000/i/a86d59b1df53ee5e1457af218c965a8a61f97bb43f7e03fa2a3d4d9ea0146a5f/Main.jpg" /&#62;
	



이선주와 김익명 작가는 7월에 대부도와 시화호 지역에 거주하여 주변 환경 속에서 얻을 수 있는 데이터부터 경험적 지식, 애정 및 상상력에 몰입했다.

이선주 작가는 갯벌 주변을 매일 거닐며 조간 생태계에 서식하는 생물들과 애착을 형성했으며 특히 게들과의 교감에 매료를 느꼈습니다. 다양한 게가 만든 집을 탐험하고 그들의 걷기 방법, 속도 및 바람, 파도, 햇빛과 같은 요소에 대한 반응을 관찰했다. 그녀의 작품 &#38;lt;갯벌을 걷는 로봇&#38;gt;은 인공적인 개체가 갯벌의 유기적이고 민감한 생물, 특히 게들과 어떻게 조화로울 수 있는지에 대한 궁금증에서 출발했다. 갯벌에서 발견한 재료, 나뭇가지를 사용하여 전자 회로와 결합시켰다. 이 미완성적인 로봇은 갯벌 환경에 적응하기 위해 여러 번의 반복과 적응을 거쳤다. 또한 그녀는 갯벌에 작은 구조물을 설치하고 그곳의 낮과 밤의 조위 리듬을 관찰하기 위해 카메라를 설치했다.

김익명은 대부도 지역의 시화호에서 인공 기반과 생태 간의 음향적 소통을 조사하기 위해 탐험에 중점을 두었다. 시화호의 대규모 구조물이 자연 속에서 존재하는 공상과학적인 환경에 약간 위협을 느끼면서도 매료적이고 모호한 인상을 받았다. 이 모호함은 그녀의 '인간'으로서의 맥락화에 혼란을 초래하여 비인간, 인간, 생태 및 도시와 같은 다양한 관점들 사이에서 이 장소를 어떻게 위치시킬지를 고려하게 했다. &#38;lt;Into the (re)wild&#38;gt;는 대부도 지역의 인공 및 자연적 요소 사이의 생태 환경 소리를 탐험하는 오디오 맵이다.



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